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      <title>Andi Teran</title>
      <link>http://www.anditeran.com/</link>
      <description></description>
      <language>en</language>
      <copyright>Copyright 2011</copyright>
      <lastBuildDate>Thu, 15 Dec 2011 21:27:44 -0500</lastBuildDate>
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         <title>10 Reasons Why Breaking Bad Deserves to Be Nominated for a Golden Globe</title>
         <description><![CDATA[<p>I think I speak for every maniacal fan of <em>Breaking Bad</em> when I type this sentiment: what were you thinking, Hollywood Foreign Press Association?</p>

<p>Your egregious snub of what was, quite possibly, one of the finest seasons of television ever -- a season demanding not just a Golden Globe nomination for Best TV Series (Drama), but also a win -- should not go overlooked. If legions of Ryan Gosling fans can take to the offices of <em>People</em> magazine to decry his loss of the Sexiest Man Alive crown while wearing paper cutouts of his face, then the rest of us should wear Hazmat suits, half-blown-off Gus Fring masks, Los Pollos Hermanos t-shirts, and Heisenberg glasses and hats while we storm the HFPA's headquarters in protest. I'm willing to shave my head on behalf of fixer Mike if you are.</p>

<p>For any fan of the dramatic TV series, in general, <em>Breaking Bad</em> has consistently pushed the boundaries of both content and form. Vince Gilligan's ingenious story of a family-oriented chemistry teacher turned methamphetamine producer fueled by advanced-stage cancer, and later by his power-hungry Mr. Hyde alter-ego, Heisenberg, has delivered four seasons of thrilling twists, unforeseeable character turns -- not to mention spectacular character assassinations -- as well as an anti-hero who will go down in history wearing nothing but his tighty-whiteys. In short, it's the best of the novel-as-TV-series bunch offering an audience experience that has no rival.</p>

<p>But other than that, season four of <em>Breaking Bad</em>, in particular, was insane. What show in the current selected Best TV Series (Drama) crop has done everything from show you your worst nightmare involving a box cutter to the best way to laugh when finding out your spouse gave hundreds of thousands of dollars to her former lover, who ended up spending it on a Mercedes? Now, we know Bryan Cranston is deservedly nominated in the Best Actor in a TV Series (Drama) category for his portrayal of lead character Walter White, but that isn't enough. Here are ten reasons why <em>Breaking Bad</em> should be nominated for a Golden Globe for Best Television Series (Drama) (and consequently Aaron Paul and Giancarlo Esposito in the Best Supporting Actor category). <em><strong>Warning:</strong> there are spoilers ahead.</em></p>

<p>1. Because <em>Breaking Bad</em> is shot on 35mm film and features stunning on-location cinematography that showcases the deserts of New Mexico.</p>

<p>2. Because the female characters are complex, brave, hilarious, and surprising. While we laugh at Marie's obsessive use of purple in her home décor, we also feel for her unfailing spousal support of Hank, even when he's being a self-pitying jerk.</p>

<p>3. Because Hank's obsession with minerals is oddly touching.</p>

<p>4. Because Vince Gilligan earned the violent writing award for the most vicious, out-of-nowhere, unflinching murder scene involving the aforementioned box cutter that took the audience, and Walt and Jesse, by surprise.</p>

<p>5.  Because actor Giancarlo Esposito's expressionless mask as drug kingpin Gustavo "Gus" Fring was revealed to be a complex mask of revenge for the murder of his former partner in a Mexican business deal gone wrong. This season showed us who Gus truly was, and for a moment we sympathized with him, even cheering when he pulled off the mass murder of an entire cartel. Not only was that entire scene bad-ass, but Esposito's explosive exit, while straightening his tie and offering that same calm Gus countenance, was bad-ass, too.</p>

<p>6. Because Aaron Paul is so fantastic in the role of Jesse Pinkman that Vince Gilligan chose not to kill him off after the first season. And he keeps delivering season after season as the second banana to Walter White, albeit one with a bewildering backbone. This season saw Jesse react to the aftermath of committing his first murder, the return to his drug addiction, the utter destruction of the house that his cancer-stricken aunt left him, and the subsequent character turn in which we saw him take control of himself and realize his purpose. Oh, and then there was his devotion to fellow addict Andrea and her young son Brock -- and that showdown scene between Jesse and Walt, which alone is worthy of a nomination.</p>

<p>7.   Because the subplot involving Walter White as drug producer and his brother-in-law Hank as a DEA agent putting the pieces together was riveting. We know this storyline will be major in season five, thanks to the foreshadowing and suspense in season four.</p>

<p>8.   Because Walt got drunk and turned into Heisenberg at the dinner table right to Hank's face in front of his whole, unsuspecting family. Except for his wife Skyler, of course.</p>

<p>9.  Because Skyler can lie her pants off better than any other character, and she hasn't completely broken bad yet. And we know she will.</p>

<p>10. Because Walt "won" this season, and now he just needs his show to do the same.</p>]]></description>
         <link>http://www.anditeran.com/the-written-word/2011/12/10-reasons-why-breaking-bad-deserves-to-be-nominated-for-a-golden-globe.html</link>
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          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Breaking Bad</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Hollywood</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Huffington Post</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">TV</category>
        
         <pubDate>Thu, 15 Dec 2011 21:27:44 -0500</pubDate>
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         <title>Monocolumn: What the hotel concierge saw</title>
         <description>On September 11, 2001, I was working behind the concierge desk at SoHo&apos;s Mercer Hotel. To most, that day made up of press images stored deep in the memory bank. But, for those in New York, there&apos;s a library of images that no one else will ever truly see.

The job of front desk staff at a hotel is to represent the business at its best. As the faces that guests see most frequently, it is our duty is to solve problems in a calm and friendly manner. We can often be the main facilitators of a client&apos;s experience during their time away from home.

On September 11, we were fully occupied and when we first heard the news that a plane had hit the World Trade Center, it was from our operator who had been listening to the radio. At the time, we thought it might just be a small plane. We only realised the enormity of the situation when a guest came down and asked each one of us to go with him outside to see what was going on for ourselves. We took turns to leave the desk, and saw that we were about to deal with a situation that none of us had been trained for.

We had no intercom system in place, and the only skills we had in terms of emergency training were to remain calm, polite, and to stay confidently in charge. While we stood on the corner of Prince and Mercer, the first tower fell. We decided to work in pairs, one of us took calls while the other gathered information. Guests began to come down, some to walk outside, some to ask for more information. One guest, an actor, arrived with a backpack on. He asked us to tell anyone who called for him that he was going down there to help.

By the time the second tower fell, SoHo was awash in dust and debris. The lobby was full. Guests were mingling with office workers from the World Trade Center who had walked up to the hotel, not realising what part of the city they were in.  In the days following the terrorist attacks, the bravery and commitment exhibited by both staff and guests was humbling. The actor who went downtown with the backpack came back and filled his bag with toiletries from our supply to take to the police officers and firemen working on site.

As guests were able to leave the city, we filled their rooms with displaced families from lower Manhattan. And many of those families continue to get together at the hotel every year on the anniversary. In a big city like New York, even neighbourhoods like SoHo came together. Restaurants gave us food to feed the guests when delivery trucks couldn&apos;t make it to our area and neighbours stopped by to chat over pints at Fanelli&apos;s pub across the street.

A few weeks ago, when Hurricane Irene was on track to unleash havoc on New York City, I was staying in a hotel in Times Square. Guidelines for what to do in an emergency were provided in each room - it was clear that more planning was in place. Mayor Bloomberg prepared the city, and post-2001, New York has emergency plans for everything. Thankfully, the storm passed with little damage on the city. But what was familiar was the calm friendliness of the front desk staff. I told them that their positive attitudes would hold the building together, even in the strongest of winds.
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         <link>http://www.anditeran.com/the-written-word/2011/09/monocolumn-what-the-hotel-concierge-saw.html</link>
         <guid>http://www.anditeran.com/the-written-word/2011/09/monocolumn-what-the-hotel-concierge-saw.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Monocle</category>
        
         <pubDate>Fri, 09 Sep 2011 09:00:00 -0500</pubDate>
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         <title>Future Stages</title>
         <description><![CDATA[At a time when there are still few women with strong, singular voices in modern cinema, there is Miranda July. A fearless writer, director, performer, and visual artist, her film debut, Me and You and Everyone We Know, won the Caméra d'Or at the 2005 Cannes International Film Festival. She has since authored No One Belongs Here More Than You, a short story collection and recipient of the Frank O'Connor International Short Story Award. This summer sees the release of her latest feature film, The Future, a genre-bender involving talking cats and moons. Andi Teran met with Miranda to discuss her artistic process, puns, coincidence, and going for the bold.

<a href="http://www.brown-griffin.com/editions/afterzine02.html" target="_blank">Read the full article in <i>AFTERZINE</i> No. 2, out now.</a>]]></description>
         <link>http://www.anditeran.com/the-written-word/2011/07/future-stages.html</link>
         <guid>http://www.anditeran.com/the-written-word/2011/07/future-stages.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Afterzine</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Film</category>
        
         <pubDate>Fri, 01 Jul 2011 11:05:23 -0500</pubDate>
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         <title>Mike Mills Begins</title>
         <description><![CDATA[Beginners, the second feature film from writer/director Mike Mills, stars Ewan McGregor, Christopher Plummer, and Mélanie Laurent. Inspired by the true-life tale of his father coming out of the closet at the age of 75, just a few years before succumbing to cancer, Beginners is a modernist love story about a father and son, a boy and a girl, a mother and son, and a man and his dog. It's the rare type of film that weaves its way into your heart quietly--and humorously--before bursting it open in moments of real, touching honesty. Andi Teran sat down with Mike to discuss his creative process--both as a filmmaker and visual artist--as well as ghosts, fireworks, humans, and talking animals.

<a href="http://www.brown-griffin.com/editions/afterzine02.html" target="_blank">Read the full article in <i>AFTERZINE</i> No. 2, out now.</a>]]></description>
         <link>http://www.anditeran.com/the-written-word/2011/07/mike-mills-begins.html</link>
         <guid>http://www.anditeran.com/the-written-word/2011/07/mike-mills-begins.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
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          <category domain="http://www.sixapart.com/ns/types#tag">Film</category>
        
         <pubDate>Fri, 01 Jul 2011 11:05:23 -0500</pubDate>
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         <title>The New Old Sound</title>
         <description><![CDATA[When you think of a family band, it's easy to conjure images of successful groups like the Beach Boys, Bee Gees, and the Jackson 5, as well as fictional outfits like The Partridge Family and even The Brady Bunch's The Silver Platters. Almost considered a novelty of the past, all that's about to change thanks to the Durham family, aka Kitty, Daisy & Lewis, a trio of London siblings who, along with their parents Graeme and Ingrid, are bringing their vintage-tinged sound (and look) to the forefront of new music. Hard to classify, they are collective multi-instrumentalists who blend R&B, swing, rockabilly, country, and blues, and sell out venues to crowds all over Great Britain. With only one previous tour of the U.S., supporting Coldplay, Andi Teran recently spoke to Kitty (pictured, left) about when they'll return stateside, how they make music as a family, and what continues to make oldies goodies.

<a href="http://www.brown-griffin.com/editions/afterzine02.html" target="_blank">Read the full article in <i>AFTERZINE</i> No. 2, out now.</a>]]></description>
         <link>http://www.anditeran.com/the-written-word/2011/07/the-new-old-sound.html</link>
         <guid>http://www.anditeran.com/the-written-word/2011/07/the-new-old-sound.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Afterzine</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Music</category>
        
         <pubDate>Fri, 01 Jul 2011 10:53:22 -0500</pubDate>
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         <title>The Man&apos;s Guide to Growing an Urban Garden</title>
         <description><![CDATA[It's summer&#8212;the perfect time to farm your own bit of land (even if it's a planter on a fire escape or an herb garden on the roof). But where to start? For tips and tools, we turned to a green-thumbed master of the urban garden and proprietor of New York landscaping firm <a href="http://www.mudlandscaping.com/"target="_blank">Modern Urban Design</a> (or M.U.D.), Jonathan Yevin. Known for creating minimal, thoughtfully designed spaces, Yevin specializes in overcoming the challenges of city living. So, whether faced with an empty backyard plot or just an unadorned windowsill, here are some ways you can go green.

<a href="http://www.details.com/blogs/daily-details/2011/06/urban-gardening.html" target="_blank">Read the whole story on Details.com.</a>]]></description>
         <link>http://www.anditeran.com/the-written-word/2011/06/the-mans-guide-to-growing-an-urban-garden.html</link>
         <guid>http://www.anditeran.com/the-written-word/2011/06/the-mans-guide-to-growing-an-urban-garden.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Details</category>
        
         <pubDate>Thu, 23 Jun 2011 09:00:00 -0500</pubDate>
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         <title>Street Style: New York Fashion Week Fallout</title>
         <description>Autumn is in the air, and while the New York shows are officially over, that hasn&apos;t stopped us from being inspired by the fall fashion we saw parading down the city&apos;s streets. From tailored blazers and structured trenches to stacked bracelets and oversized clutches, layering of textures and patterns is in full effect. Elongated hemlines are just right for breezier days, especially when paired with a cinched waist or a silky button-down. Stylish gals still love a staggering heel, but wedges paired with tapered trousers are also fitting. Lest you forget, this is most definitely the season of the skirt, and whether knee-length or floor-skimming, the forecast is fashionably ladylike.</description>
         <link>http://www.anditeran.com/the-written-word/2010/09/street-style-new-york-fashion-week-fallout.html</link>
         <guid>http://www.anditeran.com/the-written-word/2010/09/street-style-new-york-fashion-week-fallout.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
         <pubDate>Sat, 18 Sep 2010 15:37:27 -0500</pubDate>
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         <title>Hole&apos;s Melissa Auf der Maur on Her New Album, OOOM, and Breaking Away From Courtney Love</title>
         <description><![CDATA[<p>Melissa Auf der Maur (a.k.a. MAdM) is known for her days as the bassist and backing vocalist for Courtney Love's band, Hole. She has since gone solo and has just released her second album, <em>Out of Our Minds</em> (or <em>OOOM </em>for short &#8212; she loves to abbreviate). The album combines twelve tracks with a live-action short musical film shot by independent filmmaker Tony Stone, which premiered at Sundance last year to critical acclaim. We recently caught up with Auf der Maur at her upstate New York home where she discussed independent creativity, Vikings, and the ghosts of Hole&#8217;s past.</p>
						  	
						  		<p><strong>Is MAdM your new moniker?</strong><br />
Since I joined Hole and had to sign my first autograph, I've always just done my initials, MAdM, like "Mad M" or a strange typo for madam. It's kind of Victorian in tradition, and it's just an alternative way to refer to me.</p>

<p><strong>How did <em>OOOM </em>come together?</strong><br />
When the music industry began to shift, Capitol Records went through a firing spree. At that moment, the structure was pulled from under me, and it kick-started a creative instinct to make as much art as possible to survive. I began as a visual artist. Me joining Hole was like a walk through the looking glass. I felt very loyal and obligated to continue my career in music once I was given that opportunity. When I made my first solo record, it was the first step to get to where I am now, bringing all of these elements &#8212; the visual, conceptual, and musical &#8212; all into one project. I've never worked so hard on anything in my whole life.</p>

<p><strong>In the music video and film there are bleeding trees, Vikings, and you&#8217;re dressed in forties noir. How did you and director Tony Stone come up with the concept?</strong><br />
I've always had a thing for Vikings, since I was a young girl. I saw a rough cut of Tony's Viking film [<em>Severed Ways: The Norse Discovery of America</em>] and understood right away that was the guy who could bring this project with me to another place. I saw the film, met him, and I said, &#8220;Will you make a fantasy film component to my album?&#8221; And the story began. I knew [in my film] there would be time travel, Vikings, witches, the forties, women on the eternal hunt for the heart &#133;</p>

<p><strong>And giant fireballs.</strong><br />
Tony's the kind of guy who's like, &#8220;We're going to crash a car, we're also going to make trees bleed, and we're going to make a fireball kite. The more outrageous the better!&#8221; There's a lot of blood and fire, and I see them as substances that are life forces. To me it makes total sense, but I leave the viewer to wander through the puzzle.</p>

<p><strong>I was reading your blog and came across a recent trip you took to Los Angeles. You wrote that you said good-bye to your past there. Did you mean your time in Hole?</strong><br />
Definitely. My L.A. days were my Hole days. The ghosts of that are all over L.A.</p>

<p><strong>So there have been some rumors about Hole and the new &#8220;reunion.&#8221; For the record, did you contribute backing vocals on the new Hole album, <em>Nobody&#8217;s Daughter</em>?</strong><br />
No, I didn&#8217;t. Courtney Love jumped the gun and said I did when didn't. It's her world; it's her decision &#8212; it's her way of doing things.<br />
 <br />
<strong>How do you feel about her using the band name with a completely different lineup? </strong><br />
Even in rock and roll, I believe there's a right and wrong. I'm still close friends with Eric [Erlandson, co-founder and former guitarist of Hole], and he's the only one who can do anything on his end about it. He's a peaceful man who has made great efforts in his own life to find peace. I feel protective of the legacy of Hole and my memories in it. It wasn't even so much about doing a reunion. I told Courtney, "I support the retrospective of everything done in that time. If and when you're ready to look at that, I'll support it.&#8221; What's so funny is that she can come out and say that I asked her to do a reunion. That's not exactly what was said. What I said was that I think a retrospective would be incredibly valuable right now and that's obviously not where she's at.</p>

<p><strong>She&#8217;s been playing your old songs. How does that feel?</strong><br />
It feels confusing. Most of all, I've always wished the best for her. I want her to be happy. I want her to be musical. I care about her well-being. When she gets an idea in her mind, that's what she stays with regardless of what other people think or feel. I put my foot down when she shockingly declared Hole was playing its first shows. All I was really trying to say was that I hope it doesn't blow the opportunity for a real reunion and retrospective. You can&#8217;t just do Hole Two again later.</p>]]></description>
         <link>http://www.anditeran.com/the-written-word/2010/04/holes-melissa-auf-der-maur-on-her-new-album-ooom-and-breaking-away-from-courtney-love.html</link>
         <guid>http://www.anditeran.com/the-written-word/2010/04/holes-melissa-auf-der-maur-on-her-new-album-ooom-and-breaking-away-from-courtney-love.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Music</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">New York</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">NewYorkMag.com</category>
        
         <pubDate>Wed, 07 Apr 2010 14:52:42 -0500</pubDate>
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         <title>Solid Gold [Goldfrapp]</title>
         <description><![CDATA[It's a grey morning on Manhattan's Lower East Side, and Alison<strong> </strong>Goldfrapp needs a cup of tea. She apologizes in clipped British mumbles, and were it not for delicate blonde wisps dancing lightly atop a pair of Wayfarers worn indoors, you'd hardly guess you were in the company of an electro-pop icon. Waiting patiently on the couch -- also in shades -- is Will Gregory, her decade-long co-conspirator in the chart-topping electronic outfit known as Goldfrapp. Together they tuck into a streamlined couch at the Hotel on Rivington to discuss <em>Head First</em>, their self-produced fifth album. Reminiscent of a soundtrack to a forgotten 1980's sci-fi film, it finds their music dramatically reinvented, evoking a neon-tinged wonderland of frothy, synthesized beats beamed digitally from a Xanadu paradise. Bold in their direct homage to the pioneers of electro past, the duo is careful not to assign their music to any particular genre. But upon first listen -- and then obsessively on repeat -- it's easy to see that this might possibly be the second coming of disco.

<a href="http://www.cityist.com/features/goldfrapp/" target="_blank">Continue reading on CITYist.com ...</a>]]></description>
         <link>http://www.anditeran.com/the-written-word/2010/04/solid-gold-goldfrapp.html</link>
         <guid>http://www.anditeran.com/the-written-word/2010/04/solid-gold-goldfrapp.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">CITY</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Goldfrapp</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Music</category>
        
         <pubDate>Tue, 06 Apr 2010 12:00:00 -0500</pubDate>
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         <title>Georgia O&apos;Keeffe Museum Honors Annie Leibovitz as a Woman of Distinction</title>
         <description><![CDATA[The legacy of legendary painter Georgia O'Keeffe lives on in the Women of Distinction Series, an annual event organized by the O'Keeffe Museum (okeeffemuseum.org) to recognize women professionals who have made significant contributions to both society and culture. This year's honoree is renowned photographer and longtime <em>Vogue</em> contributor Annie Leibovitz, who joins the ranks of past recipients Gail Sheehy, Gloria Steinem, and the Honorable Ruth Bader Ginsburg. Selected in recognition of her 40 years of iconic work, Leibovitz took the stage at Santa Fe's Lensic Performing Arts Center last Saturday to discuss her artistic journey through the scope of her most recognizable photographs. From elaborate character-filled fashion shoots to elegantly bold portraits, her impressive oeuvre continues to inspire. In celebration, vogue.com presents some of our favorite Annie Leibovitz images from throughout the years.  
 <strong>--Andi Teran</strong>]]></description>
         <link>http://www.anditeran.com/the-written-word/2010/03/georgia-okeeffe-museum-honors-annie-leibovitz-as-a-woman-of-distinction.html</link>
         <guid>http://www.anditeran.com/the-written-word/2010/03/georgia-okeeffe-museum-honors-annie-leibovitz-as-a-woman-of-distinction.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Art</category>
        
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          <category domain="http://www.sixapart.com/ns/types#tag">Vogue</category>
        
         <pubDate>Mon, 08 Mar 2010 12:00:00 -0500</pubDate>
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         <title>Twilight Girls Gone Wild! (An Early Look at The Runaways)</title>
         <description><![CDATA[<img src="http://blog.vanityfair.com/online/oscars/2010/02/02/runaways.jpg">
<span style="font-size:smaller">Kristen Stewart and Dakota Fanning as Joan Jett and Cherie Currie of The Runaways. Inset: The real Runaways.</span>

At last night's midtown Manhattan press screening of the highly anticipated biopic The Runaways, a diminutive figure in a black hoodie slunk into the front row minutes before the lights dimmed. I could just make out a pair of Kohl-rimmed eyes and an inky fringe, but it was the unmistakable slouch that made me wonder: "Is that Kristen Stewart?" I was half-right. It was Joan Jett, the pioneering hard rocker portrayed in the film by Stewart.

Continue reading at <a href="http://www.vanityfair.com/online/oscars/2010/02/twilight-girls-gone-wild-an-early-look-at-the-runaways.html">vanityfair.com</a>]]></description>
         <link>http://www.anditeran.com/the-written-word/2010/02/twilight-girls-gone-wild-an-early-look-at-the-runaways.html</link>
         <guid>http://www.anditeran.com/the-written-word/2010/02/twilight-girls-gone-wild-an-early-look-at-the-runaways.html</guid>
        
          <category domain="http://www.sixapart.com/ns/types#category">The Written Word</category>
        
        
          <category domain="http://www.sixapart.com/ns/types#tag">Film</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Hollywood</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Kristen Stewart</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Twilight</category>
        
         <pubDate>Tue, 02 Feb 2010 16:11:09 -0500</pubDate>
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         <title>Video Interview: Kristen Stewart, Robert Pattinson, Chris Weitz, and More on New Moon</title>
         <description><![CDATA[<em>Twilight: New Moon'</em>s vampires, werewolves, and director talk to VF.com's Andi Teran about their acting methods, on-set bonding, and going barefoot for interviews.

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         <link>http://www.anditeran.com/the-written-word/2009/11/video-interview-kristen-stewart-robert-pattinson-chris-weitz-and-more-on-new-moon.html</link>
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         <pubDate>Fri, 20 Nov 2009 12:23:48 -0500</pubDate>
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         <title>Video Interview: Robert Pattinson</title>
         <description><![CDATA[Robert Pattinson on His <em>Vanity Fair</em> Cover

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         <link>http://www.anditeran.com/the-written-word/2009/11/video-interview-robert-pattinson.html</link>
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         <pubDate>Thu, 19 Nov 2009 12:03:42 -0500</pubDate>
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         <title>David Lynch on Going to India to Shoot His Next Movie (Q&amp;A)</title>
         <description><![CDATA[<em>Between daily weather reports and tweeting about rainbow trout, legendary filmmaker David Lynch also makes time to introduce every episode of the fascinating web documentary series Interview Project, created by his 27-year-old son, Austin Lynch. During his downtime, Lynch is working to bring meditation into schools worldwide. Vulture caught up with Lynch at the Russian Tea Room on Sunday, before his scheduled speaking engagement with the Hudson Union Society, to discuss his favorite directors, the importance of final cut, and how his next film project will take him to India.</em>

<strong>How did the Interview Project come to fruition? </strong>
My son Austin and his friend Jason had this idea to go on a road trip and interview people. They went on a 20,000-mile road trip, found people along the way, and started interviewing every place they went. Then they cut them together in a very good way -- short, but you get to know the people. It gives you a feeling of what's happening in the world, kind of the America today, and you meet some interesting characters. It's their project.

<strong>You run a foundation that strives to teach Transcendental Meditation to children. Has seeing the results of that work affected you creatively?</strong>
Not so much creatively, but it started because I saw some students who were in a school where everyone was meditating. I saw these students give a high-school play performance in a little theater on a very cold night. I thought I was going to be bored to death. Out on the stage came these students -- they weren't actors, they were just students -- but the play they put on was so creative, their timing so perfect, the intelligence of this play, the naturalness of their acting; I couldn't really believe what I was seeing. You hear the state of the schools, and they've fallen to this point where it's beyond absurdity. Things happen in schools that no one would ever dream of -- a nightmare -- so much stress, so little learning. It's very, very bad; however, you give students this technique to dive within, to transcend, to experience that big ocean of bliss -- consciousness, intelligence, creativity -- it's unbounded there. Give them that experience and things transform right away; this [meditation] from within changes everything.

<strong>I went on IMDb.com to see what you were up to next ... </strong>
Most of it is lies ...

<strong>Well, it listed Snootworld as your next directing project. Is that true?</strong>
No. [Laughs] Snootworld is a kind of children's film, and it's not happening yet.

<strong>What is your next project?</strong>
I'm going to make a film on Maharishi Mahesh Yogi. It won't be a so-called David Lynch film, really; it will be about Maharishi and the knowledge he brought out. It'll hold a lot of abstractions. We're on our way to India in December to start the India part of it.

<strong>Will it be a narrative feature?</strong> 
It'll have to go in the documentary department, I think. I don't think it'll be a talking heads kind of thing, but we're going to do a lot of interviews with people. We'll interview -- I hope -- in India, a 97-year-old man who was with Maharishi from the beginning and get stories of times that weren't so well recorded.

<strong>You're on Twitter now and seem to really interact with people.</strong> 
Yeah. I started telling people what I would do this weekend and asked them to tell me what they did -- what they're going to build or work on. It gives you the feeling that we're all out working away and we can share what we work on. That, I think, is a good thing.

<strong>What advice would you share with aspiring filmmakers who have boldly original ideas that don't fit into the traditional Hollywood system?</strong>
Find a way to make the film. Find a way to make the film! If you found the way was through the studio system, make sure that you have final cut, because if you don't have final cut it will never be your film. Stay true to your own voice; stay true to the ideas all along the way, and you'll be okay.

<strong>Speaking of directors, who are you fond of?</strong>
I like, um -- kind of more like a comrade. I love Werner Herzog. I like Marty Scorsese. I like some Paul Thomas Anderson, Aki Kaurismäki ... and I know I like a bunch more.]]></description>
         <link>http://www.anditeran.com/the-written-word/2009/11/david-lynch-on-going-to-india-to-shoot-his-next-movie.html</link>
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          <category domain="http://www.sixapart.com/ns/types#tag">NewYorkMag.com</category>
        
          <category domain="http://www.sixapart.com/ns/types#tag">Q&amp;A</category>
        
         <pubDate>Tue, 17 Nov 2009 16:00:00 -0500</pubDate>
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         <title>Video Proust Questionnaire: Twilight: New Moon Edition</title>
         <description><![CDATA[Andi Teran recently spent time with the cast and director of <em>New Moon</em> in Los Angeles. In celebration of <em>New Moon</em> premiere day we give you the <em>Twilight: New Moon</em> Proust Questionnaire.

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         <pubDate>Mon, 16 Nov 2009 12:21:02 -0500</pubDate>
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